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MUSIC
ETHNIC MUSIC
The Perfect Musical Description
Range and Func-tion of the Spoken Word of Music

 

 

 


Absolute and Relative Levels
of Description
in Music

Integration of Subjectivity and Objectivity


The Musical Description of the Objective Sphere of Music

Moreover, the spoken word of music offers the most direct method to systematically describe the elements of the subjective sphere, as well as to portray the process of evolution in general.
In this context the language of music describes individual evolution and, based on that, social evolution, and finally, as the outer shell of individual and social evolution, ecological evolution.
And all of this is described by music not only in an differentiated isolated manner, but in an integrated and completely unified way as well.

Music not only describes on a level where time and space are separated, but also in terms of space-time integration; and moreover, even beyond space and time – on the absolute level of unbounded space and on the absolute level of infinite time.

In the natural, realistic, exact musical description of the reality of life, subjectivity and objectivity are not irreconcilable; objectivity is rather perceived and portrayed as the outer periphery of life.

Thus, at the outermost periphery of the musical sound-space, music describes the objective sphere of nature as the outermost border of the subjective.





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© AAR EDITION INTERNATIONAL 1982





THE SCIENCE
OF MUSIC

The Scope of the
Science of Music

The Inner Breath
of Music

The Function of the
Inner Breath in Music

The Scientific Aspect
in Music

The Perfect Musical
Description

The Twofold System
of Music Analysis
of the Composer

The Aspect of Humanities in Music

The True Field of
Science in Music

The Sociology
of
Music

The Ecology of Music

The Physics of Music

The Physiology
of
Music

The Economy of Music

Music Critique

Dance in Music

 

Ethnic Music                                                            continued 28