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MUSIC
R & D
PART  V
CLASSICAL
MUSIC CREATION

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE

OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH

 

 

THE FORCE-FIELDS
IN MUSIC

 

.  The Musical Performers and Their Laws

.  The Motif

.  The Masculine and the Feminine
    Musical Motif

.  Training the Free Formative Will

.  Motif Recognition

.  Motif-Technique

.  Power and Powerlessness of
    Musical Interpretation

.  Scenes from the Inner World
    of Human Evolution

.  Integration of Levels of Creativity

.  The Differentiated Apprehension
    of the Power of the Harmony

.  The Perfection of the Formative Forces
    in Music

.  The Melody

.  The Manifold Shape of the Melody

.  The Path of the Human Character
    in the Musical Form

.  The Sequence in Music

.  The Gate of Harmony to the Outer Music

 

 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

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THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC
P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
PART  V