I THE PROCESS OF CREATING MUSIC
II THE CLASSICAL TEACHING SCOPE OF MUSIC
III THE INNER MECHANICS OF CREATING MUSIC
IV DIDACTICS OF MUSIC
V THE FORCE-FIELDS IN MUSIC
VI THE PURPOSE OF MUSIC TRADITION
VII SPACE AND TIME IN MUSIC
VIII THE PHYSICS OF MUSIC
IX THE SYSTEMS OF ORDER IN MUSIC
X SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS
XI THE SCIENCE OF MUSIC
XII MUSIC & SPEECH
. The Musical Performers and Their Laws . The Motif . The Masculine and the Feminine Musical Motif . Training the Free Formative Will . Motif Recognition . Motif-Technique . Power and Powerlessness of Musical Interpretation . Scenes from the Inner World of Human Evolution . Integration of Levels of Creativity . The Differentiated Apprehension of the Power of the Harmony . The Perfection of the Formative Forces in Music . The Melody . The Manifold Shape of the Melody . The Path of the Human Character in the Musical Form . The Sequence in Music . The Gate of Harmony to the Outer Music
. The Musical Performers and Their Laws
. The Motif
. The Masculine and the Feminine Musical Motif
. Training the Free Formative Will
. Motif Recognition
. Motif-Technique
. Power and Powerlessness of Musical Interpretation
. Scenes from the Inner World of Human Evolution
. Integration of Levels of Creativity
. The Differentiated Apprehension of the Power of the Harmony
. The Perfection of the Formative Forces in Music
. The Melody
. The Manifold Shape of the Melody
. The Path of the Human Character in the Musical Form
. The Sequence in Music
. The Gate of Harmony to the Outer Music