I THE PROCESS OF CREATING MUSIC
II THE CLASSICAL TEACHING SCOPE OF MUSIC
III THE INNER MECHANICS OF CREATING MUSIC
IV DIDACTICS OF MUSIC
V THE FORCE-FIELDS IN MUSIC
VI THE PURPOSE OF MUSIC TRADITION
VII SPACE AND TIME IN MUSIC
VIII THE PHYSICS OF MUSIC
IX THE SYSTEMS OF ORDER IN MUSIC
X SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS
XI THE SCIENCE OF MUSIC
XII MUSIC & SPEECH
The Musical Performers and Their Laws The Motif The Masculine and the Feminine Musical Motif Training the Free Formative Will Motif Recognition Motif-Technique Power and Powerlessness of Musical Interpretation Scenes from the Inner World of Human Evolution Integration of Levels of Creativity The Differentiated Apprehension of the Power of the Harmony The Perfection of the Formative Forces in Music The Melody The Manifold Shape of the Melody The Path of the Human Character in the Musical Form The Sequence in Music The Gate of Harmony to the Outer Music
The Musical Performers and Their Laws
The Motif
The Masculine and the Feminine Musical Motif
Training the Free Formative Will
Motif Recognition
Motif-Technique
Power and Powerlessness of Musical Interpretation
Scenes from the Inner World of Human Evolution
Integration of Levels of Creativity
The Differentiated Apprehension of the Power of the Harmony
The Perfection of the Formative Forces in Music
The Melody
The Manifold Shape of the Melody
The Path of the Human Character in the Musical Form
The Sequence in Music
The Gate of Harmony to the Outer Music