intelligence           creativity               harmony
    
    
a useful connection
AAR EDITION INTERNATIONAL
Site Map
about us
MUSIC
R & D
PART VIII
THE PHYSICS OF MUSIC
a useful connection
science                  music                     art

 

Substantial, Holistic Enlivenment
of Music

The Instrument Characteristics
in the Making


Enlivening the Overtone-Spectrum


The Compressed Tone

 

The Sound Gains Control in the Acoustic Space

 

 

 

The Inner Enlivenment
of the Sound

 



The Second Dimension of the Composition
in the Tone

Modern Sound Production

The technology of the Dynamic Space Stereophony is like nourishing the root, resulting in a substantial, holistic enlivenment of the tree of music.

In conventional music, the character of an instrument appeared as an explicit timbre – which resulted from the fixation of the spectra of overtones in our conventionally limp use of the instrument. Today, with the technology of the Dynamic Space Stereophony, the most diverse timbres now appear in multi-dimensional forms.
As if stretched out in space, the spectrum of overtones moves as if breathing, and displays a life of its own, thought impossible so far.

Imagine a bouquet of flowers, compressed almost to a point. One could hardly distinguish the colours, let alone recognize any spatial structure. This corresponds to the conventional instrument sound.

The virtual opposite takes place in Dynamic Space Stereophony. The so-called instrument characteristic, the individual sound of the instrument, for example the fixed sound of a violin, is stretched out in space in its individual overtones. This is accomplished by dividing the tone of the violin into its overtones and assigning them their respective places at various points in the acoustic space.
This technique alone, however, would only mean to give a spatial structure to something which is dead.

Therefore, one now "breathes life" into the sound of the violin. To do so the individual overtones are set into a playful motion with each other, as we know it from the course of the stars.

Thus, a new world of composition arises in the inner world of the sound, in the microcosm of music.

Directed by the pattern of the compositional logic, the individual sounds of the overtones are interwoven with each other in space and are enlarged, reduced, engrossed, and refined, so that from within a new inner composition permeates the old outer composition, and creatively enlivens it.

 

                                                                               

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

CLASSICAL
MUSIC CREATION

VIII
THE PHYSICS
OF MUSIC

The Dimension
of the Tone

Mastery over
the Instrument

Freedom of the Musician

The System of the Conventional Presentation of Sound

Unlimited Potential for
Structuring the Musical Sound-Space

The Fixed Tone

Modern Sound
Production

The Long Forgotten
World of the
Microcosm of Music

Entering the
True World of Music

Musical Sovereignty in
the Inner-Tonal
Planetary Systems

The Inner World
of Power
of the Melody

PART VIII