intelligence           creativity               harmony
    
    
a useful connection
Site Map
about us
MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

 

The Space and Time Required for Deduction Are Missing in the Harmony


The Total Musical Experience Within and Without a Single Thought



Beyond the Principles of Relative Deduction in Music

 

 

Relative Musical Deduction as a Limited Process of Knowing

No Deduction in the Absolute Musical Force-Field of the Harmony

Once we have reached the absolute force-field of the harmony we realize that relative deduction is not possible there, because neither space nor time, which are both required for deduction, exist there, although there is a permanent flow of unlimited diversity – beyond space and time, however.

Here, in the absolute musical world of the harmony, no train of thought exists in which to draw conclusions, like from one state to another; for the total musical world of the harmony is, as we find, included in its entirety within even one single thought, but just as well also without a thought.

How could we possibly conclude there from one insight to another, separate insight? In pure self-awareness, the flow of time required for such conclusion is simply not there.

In this newly discovered, perfect world of the harmony the old principles of relative deduction are not applicable – and we do not miss them, too, because now the complete knowledge of music is the total experience for us.

Seen from the infinite musical force-field of the harmony, concluding from one thing to another turns out to be a very restricted process of knowing for us – associated with correspondingly little experience – and such limited logic would throw us out into the dull world of relative musical creation.

Now, that we make the experience of the absolute musical world of the harmony, any deduction or conclusion – done in space and time – is extremely restricting to us, does not meet the reality and totality of our musical knowledge and experience, and is therefore a fallacy to us.

 

                                                                                 

 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

a useful connection
science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

VII
ERRORS IN GAINING
KNOWLEDGE
IN
MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the
Harmony

The Contradictory in
Gaining Knowledge in
Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the
Absolute
Tone-Substance

The Unproved in
Gaining Knowledge in

Music

The Secret Rulers of
the Tonal Stars of

Music

The Secret Ruler
of All
Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated





PART   VII