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MUSIC
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AAR EDITION INTERNATIONAL
PART   X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC

 

The Music Listener in the Realm
of Experience
of the Composer

Powerlessness
of the Limited Musical Forces

Freedom of the Creative Music Listener

 

 

Patience with the Musical Limits

 

 

 

 

 



The Personal Musical Experience beyond
Space and Time

Patience

On the absolute musical level of the harmony we make the experience of the composer: we experience the infinite flow of perfect music beyond space and time.

If this perfect musical experience is permanently open to us, then the limited relative musical experiences are not able to lure us out of this so completely fulfilling state of experience of the pure musical world of the harmony.

Due to our standpoint of perfect musical experience in the absolute musical force-field of the harmony we are quite indifferent to the relative musical happening.
No longer we use our relative musical creation for our own fulfilment, but only for the purpose of leading other music listeners into the infinite musical world of the harmony which is now permanently accessible for us.

As a result of this permanent perfect musical experience, a quality grows within us which we commonly call "patience," a patience towards the relative musical process of knowing.

Because, seen from the state of our supreme musical fulfilment, our gradual progression from smaller fulfilments to greater and higher fulfilments leads always and only to the complete musical fullness of the harmony.

Once we are anchored in the unlimited field of the harmony, patience towards the relative, limited events in the outer musical force-fields is the most natural thing in the world for us.

For, in our personal musical experience, we live beyond space and time.
Impatience, therefore, does not exist for us – cannot exist – since impatience can appear only within spatial and temporal limitations, but never in the unlimited musical field of the harmony – beyond space and time.

 

                                                                                 

 

 


© AAR EDITION INTERNATIONAL 1982

 

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P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

X
THE ULTIMATE GOAL OF GAINING
KNOWLEDGE

IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of
Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense of Hearing

Abstaining from Limitation

Patience

Belief

Equanimity

Desire for Liberation

 

PART   X