The Hour of Birth of the Relative Tone Creations
The Great Musical Awakening
Insight into the Infinite Musical Force-Field of the Harmony
The Music Creator Merges with
His Creation
The Perfect Musical Presentation of Life
Beyond Average Human Intelligence
The Creative Power
of the Absolute Sound-Substance
By
virtue of the influence of the perfect fundamental vibration of the absolute
sound-substance, the mirage world of relative musical evolution unfolds before
the mental eye of the music knower out of the infinite musical force-field
of the harmony – although the absolute music in the infinite force-field
of the harmony remains what it is by nature: completely unchanged.
Yet one after another, relative tone creations stream forth from it in a permanent,
creative flow of thought.
Thus,
the intimate insight into the infinite musical force-field of the harmony
reveals to the creative music listener his true relation with himself.
And by looking from the level of his pure self-consciousness out into the
worlds of the relative musical process, he also discovers his true creative
relationship to his fellow men by seeing himself, in the sequence-spaces,
as the father of music.
Looking
with the eyes of the sequences into the motif-spaces, he sees his creative
relationship to his various neighbours by perceiving himself as the elemental
mother of all beings.
And finally, looking out from the harmony, he perceives himself as the elemental
father of all beings.
Perceiving
the absolute sound-substance allows the creative music listener to gain insight
into the infinite musical force-field of the harmony.
Here, he perceives himself as the perfect creator of music who lives, released
from space and time, in the absolute musical world of the harmony and who
produces relative musical creations from this perfect musical force-field.
Under
the same influence of that cosmic vibration of the absolute sound-substance,
the newborn sound creator knows himself a cosmic soul in the infinite force-field
of the harmony.
But also he perceives himself embodied in the sequence-spaces – in the
sum of the individual souls pictured there – and perceives himself embodied
in the motif-spaces, in each of the individual souls represented there.
In
the absolute musical world of the harmony the musical presentation of life
is so perfect that it cannot be comprehended by the average human intelligence
of the music listener in the relative.
To gain personal insight into the infinite force-field of the harmony, therefore,
it is a prerequisite that the perceptual ability of the listener be raised
to a higher level.
In order to behold the infinite force-field of the harmony and to perceive the infinite flow of music which streams there eternally, the personal experience of the listener must take place on the level of the following qualities:
© AAR EDITION INTERNATIONAL 1982