The Increase of Performance of Musical Knowing Starts with the
Self-Consciousness

The Self-Awareness as the Field of All Possibilities in Music

Varying Structural Density in the
Self-Consciousness

The Self-Awareness Systematically Practises Self-Identification

For an increase of performance in our musical hearing our self-consciousness is therefore the first station.

Our self-awareness must be trained systematically to identify itself with itself – to know itself, to know its infinitely manifold, extremely flexible sound qualities.
As it practises, our self-consciousness must comprehend its potential to most perfectly structure the tone.

Compared to all other tools of cognition, our self-conscious-ness is that organ which by nature possesses the largest degree of energy and intelligence.
This means that, within itself, it has the potential for the most complete structural formation of tones, as well as for the clarity of representation, and for the complex integrated structural change of the tones.

Within our self-consciousness already we find a varying structural density.
If, in our self-awareness, limited individual awareness dominates cosmic consciousness – the unlimited, the universal self-awareness – then its average density is lower.

If the universal self-awareness dominates the limited individual one, then its average density is higher.

So, cosmic self-awareness includes the potential of the entire art of sound, while the individual self-awareness includes only the potential for single musical works.

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

XI
INDIRECT AND
DIRECT GAINING
KNOWLEDGE
IN MUSIC

Ancient Truths
in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of
Cognition in the
Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically
Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of
Conventional Musical
Education

Increase of
Performance of the
Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the
Eternal Sources of
Music

The Highest
Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful
Development of
Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music