intelligence           creativity               harmony
    
    
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AAR EDITION INTERNATIONAL
 R & D
Study of the Analysis in the Musical Fields of Knowledge

Integrated creation of the overtone mechanics
of sound and tone in the musical force-fields

Synthesis of the overtone mechanics of sound and tone in the musical process of creating – 7.2.5.06.00

.  in the musical harmony-space
.  in the musical sequence-space
.  in the musical motif-space
.  in the musical tone-space
.  in the acoustic space




SEMINAR

   7.2.5.06.01
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our self-awareness to the force-field
of our intellect


   7.2.5.06.02
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our intellect to the force-field of the musical harmony-space


   7.2.5.06.03
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of the musical harmony-space to the force-field of our feeling


   7.2.5.06.04
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our feeling to the force-field of the musical sequence-space


   7.2.5.06.05
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding


   7.2.5.06.06
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our understanding to the force-field
of the musical motif-space


   7.2.5.06.07
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of the musical motif-space to the force-field
of our hearing


   7.2.5.06.08
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our hearing to the force-field of the musical sound-space


   7.2.5.06.09
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of the musical sound-space to the field
of our inner voice


   7.2.5.06.10
Integrated creation of the overtone mechanics of sound and tone at the transition from the field of our inner voice to the force-field of our mind


   7.2.5.06.11
Integrated creation of the overtone mechanics of sound and tone at the transition from the force-field of our mind to the field of our neurophysiology


   7.2.5.06.12
Integrated creation of the overtone mechanics of sound and tone at the transition from the field of our neurophysiology to the force-field of the acoustic space

 



© Aar Edition International, 1986

 

a useful connection
science                  music                     art

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.5.01.00 – 7.2.5.13.00

Creation of
sound & tone

Creation of the voiced consonant & the tone

Attacks of the
unvoiced consonant
& the tone

Creation of the formants & the overtone spectrum

Creation of
vowel & tone

Creation of the overtone mechanics
of sound & tone

Creation of the decays of sound & tone

Creation of the attacks of sound & tone

Creation of the aperiodic vibrations
of sound & tone

Creation of the
wave sequences
of sound & tone

Creation of the
periodic vibrations
of sound & tone

Creation of the overtone spectra of sound & tone

Creation of basic sound & basic tone

 

 

 

STUDY OF MUSIC STUDY OF THE INNER FORCES OF MAN
Study of the Analysis in the Musical Fields of Knowledge