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AAR EDITION INTERNATIONAL
 R & D
Study of the Laws of Music in the Field of Unity

The mechanics of the voiced consonant
in the musical fields of knowledge

Universal analysis of the voiced consonant in the musical process
of knowing – 7.3.6.12.00




SEMINAR

   7.3.6.12.01
The mechanics of the voiced consonant at the transition from the force-field of the acoustic space to the field of our neurophysiology


   7.3.6.12.02
The mechanics of the voiced consonant at the transition from the field
of our neurophysiology to the force-field of our mind


   7.3.6.12.03
The mechanics of the voiced consonant at the transition from the force-field of our mind to the field of our inner voice


   7.3.6.12.04
The mechanics of the voiced consonant at the transition from the field
of our inner voice to the field of knowledge of the musical tone-space


   7.3.6.12.05
The mechanics of the voiced consonant at the transition from the field
of knowledge of the musical tone-space to the field of knowledge
of our hearing


   7.3.6.12.06
The mechanics of the voiced consonant at the transition from the field
of knowledge of our hearing to the field of knowledge of the musical
motif-space


   7.3.6.12.07
The mechanics of the voiced consonant at the transition from the field
of knowledge of the musical motif-space to the field of knowledge
of our understanding


   7.3.6.12.08
The mechanics of the voiced consonant at the transition from the field
of knowledge of our understanding to the field of knowledge of the musical sequence-space


   7.3.6.12.09
The mechanics of the voiced consonant at the transition from the field
of knowledge of the musical sequence-space to the field of knowledge
of our feeling


   7.3.6.12.10
The mechanics of the voiced consonant at the transition from the field
of knowledge of our feeling to the field of knowledge of the musical
harmony-space


   7.3.6.12.11
The mechanics of the voiced consonant at the transition from the field
of knowledge of the musical harmony-space to the field of knowledge
of our intellect


   7.3.6.12.12
The mechanics of the voiced consonant at the transition from the field
of knowledge of our intellect to the field of knowledge of our self-awareness

 

 

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science                  music                     art

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE
LAWS OF MUSIC
IN THE FIELD
OF UNITY

Seminar Series 7.3.6.01.00 – 7.3.6.26.00

Mechanics of the
basic sound

Mechanics of the overtone spectrum
of the sound

Pechanics of the periodic vibration
of the sound

Mechanics of the vibration sequence
of the sound

Mechanics of the aperiodic vibration
of the sound

Mechanics
of the attack
of the sound

Mechanics
of the decay
of the sound

Overtone mechanics
of the sound

Mechanics
of the the vowel

Mechanics
of the formants

Mechanics of the unvoiced consonant

Mechanics of the voiced consonant

Mechanics
of the sound

Eigenfunction
of the sound

Eigenfunction of the voiced consonant

Eigenfunction of the unvoiced consonant

Eigenfunction
of the formants

Eigenfunction
of the vowel

Eigenfunction of the overtone mechanics

Eigenfunction
of the decay
of the sound

Eigenfunction
of the attacks
of the sound

Eigenfunction of the aperiodic vibration
of the sound

Eigenfunction of the vibration sequences
of the sound

Eigenfunction of the periodic vibrations
of the sound

Eigenfunction of the overtone spectrum
of the sound

Eigenfunction
of the basic sound

 

STUDY OF MUSIC STUDY OF THE INNER FORCES OF MAN
Study of the Laws of Music in the Field of Unity