•  Tonality

•  Differences in Understanding as Reflected by      Language

•  The Beginnings of Musical History

•  The “New Sound” Composers of the 20th Century
    and the Range of Intervals

•  Advancing to the Transcendental Play of Music

•  Musical Insight into the Culture of Peoples

•  Musical Relationships

•  The Musical Path to Self-Knowlegde

•  Homophony

•  Polyphony

•  The Counterpoint

•  The Threefold Perfect Form of the Harmony

•  Relations in Music

•  The Image of Musical Beauty

•  The Embodiments of Harmony

•  Motivation and Responsibility of the Musician

•  Reversal of the Reality of Creating Music

•  Analysis of the Process of Creating Music

•  Music Theory

•  The Natural Potential of the True Artist

•  Synthesis of the Artistic and Cultural
    Achievement of Music

•  The Scope of the Science of Music

•  The Inner Breath of Music

•  The Function of the Inner Breath in Music

•  The Scientific Aspect in Music

•  The Perfect Musical Description

•  The Twofold System of Music Analysis of
     the Composer

•  The Aspect of Humanities in Music

•  The True Field of Science in Music

•  The Sociology of Music

•  The Ecology of Music

•  The Physics of Music

•  The Physiology of Music

•  The Economy of Music

•  Music Critique

•  Dance in Music

•  Speech

•  The Superiority of Music over the Language of Today

•  Fundamental Research

•  The Organ of Speech

•  The Smithy of Thought

•  Sovereignty over Bound and Free Creativit

•  The Dimension of Creative Unfoldment

•  Control over the World of Thinking

•  Content and Form, Meaning and Structur

•  The Share of the Senses of Perception in the
    Process of Gaining Knowledge

•  The Language of Music

•  How Our Ancestors Used Language

•  Conclusions from the Ancient Records

•  The Legacy of Our Ancestors

•  The Task Set by Our Ancestor

>>

©   A A R   E D I T I O N   I N T E R N A T I O N A L   2001