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MUSIC
ETHNIC MUSIC
The Physics of Music
Between Metaphysics and Self-Knowledge


The Physics of Generating Music

 

 


The Physics
of Music and
the Physics
of the Acoustic Performance

The physics of music in the objective field is based on the metaphysics of music – provided the origin of music, the harmony, the objective basis of music, is perceived – and in the subjective field it is based on self-knowledge.

Furthermore, the physics of music ranges from the technology of subjective musical production – the mechanics of the mind, the mechanics of the intellect, and the mechanics of the senses and their mastery by the inner self – to the physics of musical instruments, and to the entire machinery of musical production, and musical reproduction respectively.

In this context it is necessary to distinguish, from within as well as from outside, between the physics of music and the physics of an acoustic event, because the physics of music, with compelling logic, contains the creative background for producing music, while the physics of the acoustic event does not take into account the important factor of creativity, which alone transforms an acoustic event essentially into music.

 

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© AAR EDITION INTERNATIONAL 1982

 

 

 

 

THE SCIENCE
OF MUSIC

The Scope of the
Science of Music

The Inner Breath
of Music

The Function of the
Inner Breath in Music

The Scientific Aspect
in Music

The Perfect Musical
Description

The Twofold System
of Music Analysis
of the Composer

The Aspect of Humanities in Music

The True Field of
Science in Music

The Sociology
of
Music

The Ecology of Music

The Physics of Music

The Physiology
of
Music

The Economy of Music

Music Critique

Dance in Music

 

Ethnic Music                                                            continued 34