Aar Edition International, Peter Huebner, Natural Music Hearing, Contens

T H E M E S

• Music and Nature
• The Fires of Cognition in Music
• Music and Philosophy – A Comparison
• The Wayless Way of Gaining Knowledge in Music
• The Dimension of Conveying Knowledge in Music

Part I
THE OBJECT OF GAINING KNOWLEDGE
IN MUSIC

• The System of the Fields of Knowledge in Music
• The Function of the Fields of Cognition in Music
• Immediate Knowledge of the Musical Meaning
• The Structure of the Fields of Cognition in Music
• The Fields of Knowledge of the Musical Representation
• Patterns of Perfect Education in Music

Part II
THE LOGIC OF THE MUSICAL FIELDS
OF COGNITION

• Empirical Gaining Knowledge in Music
• The Unlimited Course of Life in Music
• The Levels of Gaining Knowledge in Music
• The Process of Musical Perception
• The System of Musical Deduction
• The Technique of Musical Comparison
• Music-Analysis and Music-Synthesis
• The Steps of Musical Cognition
• Creating Music as an Empirical Process of Knowing
• The Authentic Musical Statement
• Integration of Outer and Inner
Musical Knowledge

Part III
IMMORTAL AND MORTAL TRADITION
OF MUSIC

• The Measure of Musical
• The Freedom of the Musical Meaning
• Doubt in the Process of Finding Musical Truth
• Producing Heat and Cold in Music
• The Harmonizing Nature of True Classical Music
• The Intention of Conveying Truth in Music
• The Totality of All Happiness of Life in Mind

Part IV
THE LIVING EXAMPLE
OF THE MUSICAL COGNITION OF TRUTH

• The Example of the Composer in the Cognitive Process
   in Music
• Fixed Principles in the Process of Gaining Knowledge
   in Music
• The Stream of Musical Gaining Knowledge
• The Process of Musical Consideration
• Streams of Energy and Intelligence in the Process of
   Gaining Knowledge in Music
• The Inner Logic of the Musical Process of Knowing
• The Musical Creator Carries His Natural Responsibility
• The Listener's Freedom from Fate

Part V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE

• The Three Steps towards Truth
• The Cognizant Music Listener
• The Object of Knowing in Music
• The Process of Knowing
• The Art of Drawing Conclusions in Music
• The Musical Experience of the Almighty Creative Force of the Harmony
• The Purpose of Musical Logic
• Musical Enlivening of the Self-Awareness
in the Listener
• The Joy-Giving Process of Creativity

Part VI
THE SYSTEM OF INTELLECTUAL
DISCUSSION IN MUSIC

• Musical Confrontation of Feeling and Understanding
• The Nourishing Flood of Pure Alertness in the Harmony
• The Musical Dispute
• The Understanding Without the Perfect Nourishment of Pure Self-Awareness
• The Process of Intellectual Clarification in Music
• Feeling and Understanding in the World of the Harmony
• The Absolute Sound-Substance in Perfect
• The Musical Dispute as the Most Free Kind of Playful Diversity
• Musical Depreciation
• Structural Musical Analysis of Values
• Breaking Off the Cognitive Process in Music
• Natural Structuring of the Sound Pattern in Music

Part VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

• The Fallacy in Gaining Knowledge in Music
• No Deduction in the Absolute Musical Force-Field of the Harmony
• The Contradictory in Gaining Knowledge in Music
• The Answer Being Equivalent to the Question in Music
• The Level of Perfect Creativity of the Absolute
Tone-Substance
• The Unproved in Gaining Knowledge in Music
• The Secret Rulers of the Tonal Stars of Music
• The Secret Ruler of All Music
• Knowing the Unreality of the Outer Musical Happening
• Balated

Part VIII
EQUIVOCATION

• Equivocation Due to Separateness of Meaning and Form
• The Dual Musical Truth
• Equivocation through Deducing the Meaning from the Form
• Equivocation through Deducing the Form from the Meaning
• Superficial Deduction
• The System of the Creative Process in Music
• Contradiction to Fundamental Truths in the Musical Gaining of Knowledge

Part IX
THE SECRET OF MUSIC

• The Secret Exchange of Experiences of the Listener
with the Creative Form of the Music Creator
• The Great Musical Turning-Point
• The Father of the World-Creators in Music
• The Technique of Conveying Truth in Music
• The Fires of Cognition of Music
• Step by Step the Social Awareness Awakens in the Listener
• Knowing Unity in Music

Part X
THE ULTIMATE GOAL OF
GAINING KNOWLEDGE IN MUSIC

• Ultimate Knowledge in Music
• The Creative Power of the Absolute Sound-Substance
• The Art of Discrimination in Music
• The Art of Not Being Bound in Music
• The Six Treasures of Musical Cognition
• Control over the Mind
• Control over the Sense of Hearing
• Abstaining from Limitation
• Patience
• Belief
• Equanimity
• Desire for Liberation

Part XI
INDIRECT AND DIRECT
GAINING KNOWLEDGE IN MUSIC

• Ancient Truths in Music
• The Golden Net of Knowledge in Music
• The Great Musical Sense of Achievement
• The Organs of Cognition in the Process of Gaining    Knowledge in Music
• Necessity of the Neurophysiological Integration
• The Performance of the Self-Awareness in the Musical    Process of Knowing
• The Self-Awareness Systematically practises
   Self-Identification
• Insight into the Basis of Music
• Fundamentals of Modern Musicology
• Limitations of Conventional Musical Education
• Increase of Performance of the Intellect in Music
• The Eigenfunction of the Intellect as the True Musical Creator
• The Journey to the Eternal Sources of Music
• The Highest Intellectual Achievement Possible to Man
• Authentic Successful Musicology
• The Music Listener at the Origin of All Creative Thinking
• Purposeful Development of Performance
   in the Field of our Neurophysiology
• The Musician and His Surroundings
• The True Organs of Finding Truth in Music

Part XII
THE PATH OF KNOWLEDGE AND
THE GOAL OF TRUTH

• The Path of Knowledge and the Goal of Truth
• The Fields of Knowledge in the Musical Representation
• The Musical Way of Cognition to Wisdom and
Happiness of Life
• Absolute Love of Truth in Music

© AAR EDITION INTERNATIONAL 1982