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MUSIC
AAR EDITION INTERNATIONAL

Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

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Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

Ouverture

Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Part X
Part XI
Part XII

Top

T H E M E S         

 

FOREWORD OF THE PUBLISHER

 

OUVERTURE
CONVEYING TRUTH IN MUSIC

 Music and Nature
 The Fires of Cognition in Music
 Music and Philosophy – A Comparison
 The Wayless Way of Gaining Knowledge in Music
 The Dimension of Conveying Knowledge in Music

 

Part I
THE OBJECT OF GAINING KNOWLEDGE
IN MUSIC

Part II
THE LOGIC OF THE MUSICAL FIELDS
OF COGNITION

Part III
IMMORTAL AND MORTAL TRADITION
OF MUSIC

Part IV
THE LIVING EXAMPLE
OF THE MUSICAL COGNITION OF TRUTH

 

 

Part V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE

 



Natural Music Hearing


Natural Music Hearing
PETER HÜBNER