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AAR EDITION INTERNATIONAL
 R & D
Study of the Synthesis in the Musical Fields of Knowledge

The physics of the voiced consonant
in the musical fields of knowledge
Analysis of the voiced consonant
in the musical process of knowing– 7.1.2.12.00

.  in the acoustic space
.  in the musical tone-space
.  in the musical motif-space
.  in the musical sequence-space
.  in the musical harmony-space


SEMINARS

   7.1.2.12.01
The physics of the voiced consonant at the transition from the force-field
of the acoustic space to the field of our neurophysiology


   7.1.2.12.02
The physics of the voiced consonant at the transition from the field
of our neurophysiology to the force-field of our mind


   7.1.2.12.03
The physics of the voiced consonant at the transition from the force-field
of our mind to the field of our inner voice


   7.1.2.12.04
The physics of the voiced consonant at the transition from the field
of our inner voice to the field of knowledge of the musical tone-space


   7.1.2.12.05
The physics of the voiced consonant at the transition from the field
of knowledge of the musical tone-space to the field of knowledge
of our hearing


   7.1.2.12.06
The physics of the voiced consonant at the transition from the field
of knowledge of our hearing to the field of knowledge of the musical
motif-space


   7.1.2.12.07
The physics of the voiced consonant at the transition from the field
of knowledge of the musical motif-space to the field of knowledge
of our understanding


   7.1.2.12.08
The physics of the voiced consonant at the transition from the field
of knowledge of our understanding to the field of knowledge
of the musical sequence-space


   7.1.2.12.09
The physics of the voiced consonant at the transition from the field
of knowledge of the musical sequence-space to the field of knowledge
of our feeling


   7.1.2.12.10
The physics of the voiced consonant at the transition from the field
of knowledge of our feeling to the field of knowledge of the musical
harmony-space


   7.1.2.12.11
The physics of the voiced consonant at the transition from the field
of knowledge of the musical harmony-space to the field of knowledge
of our intellect


   7.1.2.12.12
The physics of the voiced consonant at the transition from the field
of knowledge of our intellect to the field of knowledge of our self-awareness

 

 



© Aar Edition International, 1986

 

a useful connection
science                  music                     art

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE ANALYSIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series
7.1.2.01.00 – 7.1.2.13.00

Basic Sound

Overtone Spectrum

Periodic Vibration

Wave Sequence

Aperiodic Vibration

Attack of the Sound

Decay of the Sound

Overtone Mechanics

Vowels

Formants

Unvoiced Consonants

Voiced Consonants

Physics of the Sound

 

 

STUDY OF MUSIC STUDY OF THE INNER FORCES OF MAN
Study of the Synthesis in the Musical Fields of Knowledge