AAR EDITION INTERNATIONAL – R & D
Harmony Laws
Harmony Laws
Success in classical music
Success in classical music


Part I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC

     • The System of the Fields of Knowledge in Music

     • The Function of the Fields of Cognition in Music

     • Immediate Knowledge of the Musical Meaning

     • The Structure of the Fields of Cognition in Music

     • The Fields of Knowledge of the Musical Representation

     • Patterns of Perfect Education in Music

 

Part II
THE LOGIC OF THE MUSICAL FIELDS
OF COGNITION

     • Empirical Gaining Knowledge in Music

     • The Unlimited Course of Life in Music

     • The Levels of Gaining Knowledge in Music

     • The Process of Musical Perception

     • The System of Musical Deduction

     • The Technique of Musical Comparison

     • The Steps of Musical Cognition

     • Creating Music as an Empirical Process of Knowing

     • The Authentic Musical Statement

     • Integration of Outer and Inner Musical Knowledge



Part III
IMMORTAL AND MORTAL TRADITION OF MUSIC

     • The Measure of Musical

     • The Freedom of the Musical Meaning

     • Doubt in the Process of Finding Musical Truth

     • Producing Heat and Cold in Music

     • The Harmonizing Nature of True Classical Music

     • The Intention of Conveying Truth in Music

     • The Totality of All Happiness of Life in Mind



Part IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION
OF TRUTH

     • The Example of the Composer in the Cognitive Process
         
in Music


     • Fixed Principles in the Process of Gaining Knowledge
          
in Music


     • The Stream of Musical Gaining Knowledge

     • The Process of Musical Consideration

     • Streams of Energy and Intelligence in the Process of         Gaining Knowledge in Music

     • The Inner Logic of the Musical Process of Knowing

     • The Musical Creator Carries his Natural Responsibility

     • The Listener's Freedom from Fate



Part V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS
OF GAINING KNOWLEDGE

     • The Three Steps towards Truth

     • The Cognizant Music Listener

     • The Object of Knowing in Music

     • The Process of Knowing

     • The Art of Drawing Conclusions in Music

     • The Musical Experience of the Almighty Creative Force of         the Harmony

     • The Purpose of Musical Logic

     • Musical Enlivening of the Self-Awareness in the Listener

     • The Joy-Giving Process of Creativity



Part VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC

     • Musical Confrontation of Feeling and Understanding

     • The Nourishing Flood of Pure Alertness  in the Harmony

     • The Musical Dispute

     • The Understanding Without the Perfect Nourishment of         Pure  Self-Awareness

     • The Process of Intellectual Clarification in Music

     • Feeling and Understanding in the World of the Harmony

     • The Absolute Sound-Substance in Perfect

     • The Musical Dispute as the Most Free Kind of Playful         Diversity

     • Musical Depreciation

     • Structural Musical Analysis of Values

     • Breaking Off the Cognitive Process in Music

     • Natural Structuring of the Sound Pattern in Music



Part VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

     • The Fallacy in Gaining Knowledge in Music

     • No Deduction in the Absolute Musical Force-Field
       
of the Harmony


     • The Contradictory in Gaining Knowledge in Music

     • The Answer Being Equivalent to the Question in Music

     • The Level of Perfect Creativity of the Absolute Tone-         Substance

     • The Unproved in Gaining Knowledge in Music

     • The Secret Rulers of the Tonal Stars of Music

     • The Secret Ruler of All Music

     • Knowing the Unreality of the Outer Musical Happening

     • Balated



Part VIII
EQUIVOCATION

     • Equivocation Due to Separateness of Meaning and Form

     • The Dual Musical Truth

     • Equivocation through Deducing the Meaning from
        
the Form


     • Equivocation through Deducing the Form from the         Meaning

     • Superficial Deduction

     • The System of the Creative Process in Music

     • Contradiction to Fundamental Truths in the Musical         Gaining of Knowledge



Part IX
THE SECRET OF MUSIC

     • The Secret Exchange of Experiences of the Listener with         the Creative Form of the Music Creator

     • The Great Musical Turning-Point

     • The Father of the World-Creators in Music

     • The Technique of Conveying Truth in Music

     • The Fires of Cognition of Music

     • Step by Step the Social Awareness Awakens in the         Listener

     • Knowing Unity in Music



Part X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

     • Ultimate Knowledge in Music

     • The Creative Power of the Absolute Sound-Substance

     • The Art of Discrimination in Music

     • The Art of Not Being Bound in Music

     • The Six Treasures of Musical Cognition

     • Control over the Mind

     • Control over the Sense of Hearing

     • Abstaining from Limitation

     • Patience

     • Belief

     • Equanimity

     • Desire for Liberation

 

Part XI
INDIRECT AND DIRECT GAINING KNOWLEDGE
IN MUSIC

     • Ancient Truths in Music

     • The Golden Net of Knowledge in Music

     • The Great Musical Sense of Achievement

     • The Organs of Cognition in the Process of Gaining         Knowledge in Music

     • Necessity of the Neurophysiological Integration

     • The Performance of the Self-Awareness in the
        Musical
Process of Knowing


     • The Self-Awareness Systematically Practises
        Self-Identification


     • Insight into the Basis of Music

     • Fundamentals of Modern Musicology

     • Limitations of Conventional Musical Education

     • Increase of Performance of the Intellect in Music

     • The Eigenfunction of the Intellect as the True
       
Musical Creator


     • The Journey to the Eternal Sources of Music

     • The Highest Intellectual Achievement Possible to Man

     • Authentic Successful Musicology

     • The Music Listener at the Origin of All Creative Thinking

     • Purposeful Development of Performance in the Field of         our Neurophysiology

     • The Musician and His Surroundings

     • The True Organs of Finding Truth in Music



Part XII
THE PATH OF KNOWLEDGE AND THE GOAL
OF TRUTH

     • The Path of Knowledge and the Goal of Truth

     • The Fields of Knowledge in the Musical Representation

     • The Musical Way of Cognition to Wisdom and Happiness
       
of Life


     • Absolute Love of Truth in Music

 

 

ฉ   A A R   E D I T I O N   I N T E R N A T I O N A L   2001

 

 

 

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