These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

The Domain of the Musical Force-Fields

The Inner Dimension of the Interpretation

Examining the Interpreter’s Intentions

Motivation and Responsibility
of the Musician

The integrated diversity of the sequences, melodies, and motifs enlivens within the listener the world of his inner cognition and a natural awareness of his own inner power: the profound feeling of free sovereignty over his inner potential of happiness.

The musician who, when musically structuring the sound-space, wants to express this inner lively world outwardly, will initially encounter difficulties, because something from inside cannot readily be transformed into something outside.

To master this task of expressing comprehensive human values through the interpretation requires great ideals and the awareness of a deep, conscious responsibility towards humanity.

Love of music is essentially a quality of the listener. In the interpreter, in the music expert, it is the love of mankind which must dominate if he wants to promote the good in the world through music.
And when the musician fulfils this requirement, he will have the basic attitude needed to accomplish the laborious process of truthful conveyance of music unperturbed, and he will emerge from it fulfilled.