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MUSIC

T H E M E S

 

FOREWORD OF THE PUBLISHER

 

OUVERTURE
THE IMMORTAL ENCHANTED REALM
OF THE QUEEN OF MUSIC

•  The Queen of Arts
•  The Queen of Wisdom
•  Absolute Music

 

PART I
THE PROCESS OF CREATING MUSIC

•  The World of Enlivened Silence
•  The Origin of the Art of Sound
•  Responsible Authorship
•  The Firmament of Music
•  Creative Music Listening
•  Writing Down the Score
•  The Conventional Practice of Notation
•  The Error of the Interpreter
•  The Language of Truth

 

PART II
THE CLASSICAL TEACHING SCOPE
OF MUSIC

•  The Technology of Human Forces
•  The Classical Scope of Music
•  The Universe of Musical Sound-Spaces
•  Authentic Conveyance of Truth
•  The Musical Career
•  The Creative Craft

 

PART III
THE INNER MECHANICS
OF CREATING MUSIC

•  The Dimension of Music
•  The Beginning and End of Creating Music
•  The Natural Seat of the Musical Creator
•  Control over the Composition
•  The Free, Inner, Formative Will
•  The Emperor of Music

 

PART IV
DIDACTICS OF MUSIC

•  The Study of Musical Creativity
•  Conventional Knowledge of Music
•  Modern Music Analysis Music

 

PART V
THE FORCE-FIELDS IN MUSIC

•  The Musical Performers and Their Laws
•  The Motif
•  The Masculine and the Feminine Musical Motif
•  Training the Free Formative Will
•  Motif Recognition
•  Motif-Technique
•  Power and Powerlessness of Musical Interpretation
•  Scenes from the Inner World of Human Evolution
•  Integration of Levels of Creativity
•  The Differentiated Apprehension of the Power
    of the Harmony
•  The Perfection of the Formative Forces in Music
•  The Melody
•  The Manifold Shape of the Melody
•  The Path of the Human Character in the
    Musical Form
•  The Sequence in Music
•  The Gate of Harmony to the Outer Music

 

PART VI
THE PURPOSE OF MUSIC TRADITION

•  Supreme Musical Knowledge
•  Safeguarding the Individual Path of Life
•  The Deeper Musical Sense
•  The Concept of Space in Music

 

PART VII
SPACE AND TIME IN MUSIC

•  The Concept of Space in Music
•  The Two Ways of Experiencing Space
•  Space-Experience in the Microcosm of Music
•  Space-Time Integration in Music
•  Space-Time Fusion through the Integration
   of the Musical Spaces
•  The Integrated Play of Time and Space
•  The Potential of the Musician
•  The Relationship of Rhythm and Tonality
•  Field of Cognition – Enlivened Silence
•  The Core of Practising the Art of Music
•  Conventional and Modern Mechanisms
   of Musical Performance

 

PART VIII
THE PHYSICS OF MUSIC

•  The Dimension of the Tone
•  Mastery over the Instrument
•  Freedom of the Musician
•  The System of the Conventional Presentation
   of Sound
•  Unlimited Potential for Structuring the Musical
   Sound-Space
•  The Fixed Tone
•  Modern Sound Production
•  The Long Forgotten World of the Microcosm
   of Music
•  Entering the True World of Music
•  Musical Sovereignty in the Inner-Tonal Planetary    Systems
•  The Inner World of Power of the Melody

 

PART IX
THE SYSTEMS OF ORDER IN MUSIC

•  Tonality
•  Differences in Understanding as Reflected
   by Language
•  The Beginnings of Musical History
•  The “New Sound” Composers of the 20th Century    and the Range of Intervals
•  Advancing to the Transcendental Play of Music
•  Musical Insight into the Culture of Peoples
•  Musical Relationships
•  The Musical Path to Self-Knowlegde
•  Homophony
•  Polyphony
•  The Counterpoint
•  The Threefold Perfect Form of the Harmony
•  Relations in Music

 

PART X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

•  The Image of Musical Beauty
•  The Embodiments of Harmony
•  Motivation and Responsibility of the Musician
•  Reversal of the Reality of Creating Music
•  Analysis of the Process of Creating Music
•  Music Theory
•  The Natural Potential of the True Artist
•  Synthesis of the Artistic and Cultural Achievement
   of Music

 

PART XI
THE SCIENCE OF MUSIC

•  Scope of the Science of Music
•  The Inner Breath of Music
•  The Function of the Inner Breath in Music
•  The Scientific Aspect in Music
•  The Perfect Musical Description
•  The Twofold System of Music Analysis
   of the Composer
•  The Aspect of Humanities in Music
•  The True Field of Science in Music
•  The Sociology of Music
•  The Ecology of Music
•  The Physics of Music
•  The Physiology of Music
•  The Economy of Music
•  Music Critique
•  Dance in Music

 

PART XII
MUSIC AND SPEECH

•  Speech
•  The Superiority of Music over the Language
   of Today
•  Fundamental Research
•  The Organ of Speech
•  The Smithy of Thoughts
•  Sovereignty over Bound and Free Creativity
•  The Dimension of Creative Unfoldment
•  Control over the World of Thinking
•  Content and Form, Meaning and Structure
•  The Share of the Senses of Perception in the Process    of Gaining Knowledge
•  The Language of Music
•  How Our Ancestors Used Language
•  Conclusions from the Ancient Records
•  The Legacy of Our Ancestors
•  The Task Set by Our Ancestors

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE
OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH