These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

The “Perfectionist” at the Instrument

The Periodic Wave

The Dried-Up Instrumental Sound

The Fixed Tone

The conventional use of musical instruments, and the practice of performance and music reproduction so far, did not even permit such a profound experience to be imagined because, among other reasons, the perfectioned instrumentalists, while investigating, planning and constructing, ran aground in the field of periodic waves.

A periodic wave completely fixates the spectrum of overtones. And because of this complete fixation, along with the over- emphasis on the basic tone, we listeners do not get an impression of the existence of an infinite space-time dimension within the tone.

The conventionally produced instrument sound reminds us of a tree that no longer receives nourishment, and therefore dries up.