These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

The Four-Dimensional Sound-Space

New Technologies in the Subatomic Force-Field of Music

The Overtone- Composed Sound

The Dynamic Overtone Structure of the Tone

The Potential of Structural Diversity of the Tone

Unlimited Potential for Structuring
the Musical Sound-Space

Sound may adopt any form in space. In the acoustic space the inner multiplicity of sound, however, may also be generated in the four-dimensional space-time relationship. Through such unlimited formative potential even in this outer acoustical field of music the inner logic of the musical reality can be unfolded for the listener with uncomparably greater plasticity than the conventional technology of music production ever allowed.

Due to a growing demand for higher quality in music, and with the application of a completely new technology in the subatomic field of music, for the first time it is possible for us listeners to look, as if through an electron microscope, into the microcosm of music. Hence, we suddenly experience sound as the celestial space of a sparkling splendour of stars moving in manifold patterns. We find ourself in the midst of the natural musical universe.

Because each individual tone lights up in the diversity of its overtones, the richly coloured structure of the sound composed of overtones unfolds like the scintillating, fanned feathers of a peacock.

While the unfoldment of overtones is governed by the inner logic of the composition, the individual overtones perform their own movements in space, and the music gains a highly spatial quality.
On the level of sound, this dynamic structure of overtones achieves that lively creative reality which is able to unlock in us listeners our own world of fantasy.

A tone is as much and as little an expression of wholeness as is a tree. Just as a tree is composed of roots, trunk, branches, twigs, and leaves, and just as each of these again have their own structure and their own life, a tone also consists of a multi-layered system of overtones, arranged in a manner very similar to that of the components of a tree.