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MUSIC
R & D
PART XI
THE SCIENCE OF MUSIC
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The Objective Field of the Physiology
of Music

 

 

 

 

 

 


T
he Subjective Field of the Physiology of Music


The Effect of the Inner Mental Produc-tion of Music on the Musician's or the Music Listener's Physiology

The Physiology of Music as the Outer Image of that which has been Created Within

The Physiology of Music

The physiology of music has two aspects: objective and sub-jective.

The objective aspect of the physiology of music concerns the entire range of the musical sound-space – as far as it does not directly include the field of creativity.

The objective field of the physiology of music includes the knowledge of the thinking process as well as the practical mastery over the mind as a musical instrument – the submission of the mind to the rule of the self-awareness, to the creative will of the musician.

Moreover, the objective physiology of music is concerned with the musician's imagination regarding the faithful interpreta-tion.

The subjective field of the physiology of music concerns the inner relations of powers of the musical compositional para-meters – the harmony, the sequence, the melody, and the motif – with the musical sound-space, i.e. the junction point of our inner-human powers with our mind.

The effect of the inner mental production of music on the physiology of the musician or on the physiology of the listener therefore does not belong to the field of the physiology of music, but to its ecology.

The physiology of music, the entire structure of the musical sound-space on the level of the mind, is only the outer mental image of that which has been created within: the musical result in the mind of the musical artist. The physiology of music is the true musical premiere which the musical artist surveys with his sense of hearing.

 

                                                                                 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

CLASSICAL
MUSIC CREATION

XI
THE SCIENCE
OF MUSIC

The Scope of the
Science of Music

The Inner Breath
of Music

The Function of the
Inner Breath in Music

The Scientific Aspect
in Music

The Perfect Musical
Description

The Twofold System
of Music Analysis
of the Composer

The Aspect of Humanities in Music

The True Field of
Science in Music

The Sociology of
Music

The Ecology of Music

The Physics of Music

The Physiology of
Music

The Economy of Music

Music Critique

Dance in Music

 

PART XI