These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat
Reference
work: Peter Huebner – Natural Music Creation – Music Theory ©
AAR EDITION INTERNATIONAL 1982
Sovereignty over the Subatomic Field of Sound
The Integrated, Dynamic System of Overtone Control
Opening the Formative Space of Music
Unity of the Composition in the Art of Sound
The
Core of Practising the Art
of Music
In true classical music this fusion of space and time lies hidden deep within the subatomic field of sound – beneath the infinite, organized diversity of its integrated overtone-mechanics.
Therefore, mastery over the overtone-mechanics is the core of practising the art of music.
In the field of interpretation, too, an integrated, dynamic system is required to gain control over all the compositional parameters for the space-time fusion in the musical sound-space. Only through a technology of overtone control ruled by higher consciousness the musician is capable of making audible a truly enlivened microcosm even in the acoustic space.
Thus, control over the rhythm proves to be the essential key to open up the formative space of music. And in the hands of a truthful musician this golden magic key unites the inner compositional logic with the outer practice of performance.
The process of inner composing is not only analysis, but analysis and synthesis melted into one, and on the basis of this unity, music resounds in the mind of the musical creator. Reproducing a composition with conventional physical instruments, however, suffers from the limitations of technology: it does not display this mental unity directly.