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MUSIC
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SPACE AND TIME IN MUSIC
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Sovereignty over the Subatomic Field of Sound

 



The Integrated, Dynamic System of Overtone Control

 

 

Opening the Formative Space of Music



Unity of the Composition in the Art of Sound

The Core of Practising the Art
of Music

In true classical music this fusion of space and time lies hidden deep within the subatomic field of sound – beneath the infinite, organized diversity of its integrated overtone-mechanics.

Therefore, mastery over the overtone-mechanics is the core of practising the art of music.

In the field of interpretation, too, an integrated, dynamic system is required to gain control over all the compositional parameters for the space-time fusion in the musical sound-space. Only through a technology of overtone control ruled by higher consciousness the musician is capable of making audible a truly enlivened microcosm even in the acoustic space.

Thus, control over the rhythm proves to be the essential key to open up the formative space of music. And in the hands of a truthful musician this golden magic key unites the inner compositional logic with the outer practice of performance.

The process of inner composing is not only analysis, but analysis and synthesis melted into one, and on the basis of this unity, music resounds in the mind of the musical creator. Reproducing a composition with conventional physical instruments, however, suffers from the limitations of technology: it does not display this mental unity directly.

 

                                                                                 


 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

CLASSICAL
MUSIC CREATION

VIII
SPACE & TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration in Music

Space-Time Fusion through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of Rhythm and Tonality

Field of Cognition –
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

PART VII
PART VII
PART VII