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MUSIC
PART VII
SPACE AND TIME IN MUSIC
The Book “Natural Music Creation” is a document and – according to the author – it stands as a token of gratitude to all those great talents or even geniuses who, out of their innermost love for the art of sound, kept the inner reality of music alive throughout the times.

These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

                                                                                       

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

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The Identification of the Musical Force-Fields


Musical- Compositional Phase Transitions

 

 

 

 

Space and Time: Ruling the Infinity of Music Together

Space-Time Fusion through the Integration
of the Musical Spaces

But also when a tone identifies with a motif, or a motif with a sequence, the feeling of the space-time fusion dominates our musical awareness, and we experience a genuine mental-spiritual enlivenment.

These are musical-compositional phase transitions, by which a state of suspension is generated in the world of feeling, in the world of understanding, and between the worlds of feeling and understanding. Here, opposing forces cancel each other out; here, the meaning of “opposing” is suspended; here, the manifold pairs of opposites create an image of multiplicity on the level of unity; here, on the level of our feeling and understanding, we experience complete silence again and again. Re-emerging from this deep silence we are permeated by the life-giving source of complete musical-creative fulfilment.

In music, time is the great partner of space.
Time and space are so intimately connected with each other that they always appear together.
In the classical composition the unity of time and space lives as the playful togetherness of two natures made for each other, who together govern infinity with great competence.

 

                                                                                 

 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H U E B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
O U V E R T U R E
The Book

CLASSICAL
MUSIC CREATION

VIII
SPACE & TIME
IN MUSIC


The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of Rhythm and Tonality

Field of Cognition –
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

PART VII