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MUSIC
THE FORCE-FIELDS IN MUSIC
The Book “Natural Music Creation” is a document and – according to the author – it stands as a token of gratitude to all those great talents or even geniuses who, out of their innermost love for the art of sound, kept the inner reality of music alive throughout the times.

These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

                                                                                       

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

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The Path towards more Powerful Formative Forces in Music

 

 

 

 


True Enlivenment of the Physical- Acoustic Space

 

 


The Essential Task of the Musician

Perfection of the Formative Forces
in Music

With his understanding, the listener cognizes the “horizontal” compositional systems of order; with his feeling he grasps the “vertical” musical relations of power.
Therefore, the qualities of feeling and understanding are effective on all levels of music: in the world of the sound-space, in the world of the motif, in the world of the sequence, and in the world of the harmony.

When these two fundamental qualities of the intellect – feeling and understanding – are realized by the musician as efficient and mighty formative forces in music, they finally appear before him in their perfection on the level of harmony.

The musical sound-space, the world of the inner musical imagination, is equally enlivened by the feeling and by the understanding; and the art of the musician lies particularly in radiating this enlivenment, this lively multiplicity, even into the physical-acoustic space and to enliven it so that the listener comprehends life itself as his own threefold food of knowledge:

as a soothing, warming strengthening of his feeling,

as a refreshing, cooling elucidation of his understanding, and

as the fulfilling realization of his own inner nature, of his inner power and inner beauty, through the lively, mutual permeation of the qualities of his feeling and understanding.

 

                                                                                

 

 

 

 

 

 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H U E B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
O U V E R T U R E
The Book

CLASSICAL
MUSIC CREATION

V
THE
FORCE–FIELDS
IN MUSIC


The Musical Performers and
Their Laws

The Motif

The Masculine and
the Feminine
Musical Motif

Training the Free
Formative Will

Motif-Recognition

Motif-Technique

Power and
Powerlessness of Musical Interpretation

Scenes from the
Inner World
of Human Evolution

Integration of Levels
of Creativity

The Differentiated
Apprehension
of the Power
of the Harmony

The Perfection of the
Formative Forces
in Music

The Melody

The Manifold Shape
of the Melody

The Path of the Human Character in the
Musical Form

The Sequence
in Music

The Gate of Harmony
to the Outer Music

 

PART V
PART V