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MUSIC
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THE FORCE-FIELDS IN MUSIC
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The Compositional Parameters

 


The Range
of Application of the Parameters


The Physiology
of Music

The Musical Performers and
Their Laws

The compositional parameters are: the motif, the sequence, and the harmony. The rules by which these parameters move find their expression in the motif-technique, in the sequence-technique, and in the harmony-technique.

The range of application of these musical elements and the natural inner formative means related to them are: the applied motif-technique, the applied sequence-technique and the applied harmony-technique.

The sound-space, as the physiology of the composition, surrounds the compositional parameters and their function like a hull.

 

 

                                                                                

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

CLASSICAL
MUSIC CREATION

V
THE
FORCE–FIELDS
IN MUSIC

The Musical Performers and
Their Laws

The Motif

The Masculine and
the Feminine
Musical Motif

Training the Free
Formative Will

Motif-Recognition

Motif-Technique

Power and
Powerlessness of Musical Interpretation

Scenes from the
Inner World
of Human Evolution

Integration of Levels
of Creativity

The Differentiated
Apprehension
of the Power
of the Harmony

The Perfection of the
Formative Forces
in Music

The Melody

The Manifold Shape
of the Melody

The Path of the Human Character in the
Musical Form

The Sequence
in Music

The Gate of Harmony
to the Outer Music

 

PART V
PART V