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MUSIC
The Book “Natural Music Creation” is a document and – according to the author – it stands as a token of gratitude to all those great talents or even geniuses who, out of their innermost love for the art of sound, kept the inner reality of music alive throughout the times.

These outstanding personalities we know as our great musical creators. But also, this “autobiography of music” is a landmark of the generation of a new age, a generation which today, with scientific accuracy, penetrates into the mechanism of musical creativity, systematically performs research on it, and wants to authentically capture the art of our great masters of music. The first sense of achievement of the modern music student, then, lies in the development of his ability to listen to music creatively – that ability which since all times represents the timeless, true inner basis of the art of sound. Zitat

                                                                                       

Reference work: Peter Huebner – Natural Music Creation – Music Theory © AAR EDITION INTERNATIONAL 1982

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The Interpreter
as an Expert

 

 

 

 

 


The Magic Veil
of Music

PART IV

Modern Music Analysis

Today’s scientific objective age no longer concedes its great minds this kind of “heroism”, and in diligent eagerness the simple inquisitive mind of the scientist attempts to convey an exact picture of reality wherever he finds it.
Naturally, this sensible purposeful attitude of the analytical thinkers of our time – especially of the qualified ones – is also found in the musical creators of the present.

Thus, today the time has come where our critical contemporary minds, through profound, systematic scientifically-oriented research verify the mechanism of inner creativity.

This also includes the simple, objective attitude, by which the composer examines the components which determine his inner creative process, and quantifies their respective share in producing the musical work.

And the interpreter, too, will be identified simply as an expert, and his platform – the raised stage – will be brought directly into the audience.

At this point therefore, we want to raise the magic veil of music and, through simple reflection, place the inner secret of the magic power of music into the light of systematic, scientific verification.

 

                                                                                

 

© AAR EDITION INTERNATIONAL 1982

 

 

DIDACTICS OF MUSIC
P E T E R   H U E B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
O U V E R T U R E
The Book

CLASSICAL
MUSIC CREATION

IV
DIDACTICS
OF MUSIC


The Study of
Musical Creativity

Conventional
Knowledge of Music

Modern
Music Analysis

PART IV