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MUSIC
R & D
PART  V
CLASSICAL
MUSIC CREATION

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE

OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH

 

 

THE FORCE-FIELDS
IN MUSIC

 

 The Musical Performers and Their Laws

 The Motif

 The Masculine and the Feminine
    Musical Motif

 Training the Free Formative Will

 Motif Recognition

 Motif-Technique

 Power and Powerlessness of
    Musical Interpretation

 Scenes from the Inner World
    of Human Evolution

 Integration of Levels of Creativity

 The Differentiated Apprehension
    of the Power of the Harmony

 The Perfection of the Formative Forces
    in Music

 The Melody

 The Manifold Shape of the Melody

 The Path of the Human Character
    in the Musical Form

 The Sequence in Music

 The Gate of Harmony to the Outer Music

 

 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

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THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC
P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
PART  V