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MUSIC

R & D

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE
OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH

 

 

 

•  The Musical Performers and Their Laws

•  The Motif

•  The Masculine and the Feminine
    Musical Motif

•  Training the Free Formative Will

•  Motif Recognition

•  Motif-Technique

•  Power and Powerlessness of
    Musical Interpretation

•  Scenes from the Inner World
    of Human Evolution

•  Integration of Levels of Creativity

•  The Differentiated Apprehension
    of the Power of the Harmony

•  The Perfection of the Formative Forces
    in Music

•  The Melody

•  The Manifold Shape of the Melody

•  The Path of the Human Character
    in the Musical Form

•  The Sequence in Music

•  The Gate of Harmony to the Outer Music