I THE PROCESS OF CREATING MUSIC
II THE CLASSICAL TEACHING SCOPE OF MUSIC
III THE INNER MECHANICS OF CREATING MUSIC
IV DIDACTICS OF MUSIC
V THE FORCE-FIELDS IN MUSIC
VI THE PURPOSE OF MUSIC TRADITION
VII SPACE AND TIME IN MUSIC
VIII THE PHYSICS OF MUSIC
IX THE SYSTEMS OF ORDER IN MUSIC
X SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS
XI THE SCIENCE OF MUSIC
XII MUSIC & SPEECH
• The Musical Performers and Their Laws
• The Motif
• The Masculine and the Feminine Musical Motif
• Training the Free Formative Will
• Motif Recognition
• Motif-Technique
• Power and Powerlessness of Musical Interpretation
• Scenes from the Inner World of Human Evolution
• Integration of Levels of Creativity
• The Differentiated Apprehension of the Power of the Harmony
• The Perfection of the Formative Forces in Music
• The Melody
• The Manifold Shape of the Melody
• The Path of the Human Character in the Musical Form
• The Sequence in Music
• The Gate of Harmony to the Outer Music