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MUSIC
R & D
PART  IX
CLASSICAL
MUSIC CREATION

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE

OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH

 

 

THE SYSTEMS OF ORDER
IN MUSIC

 

 Tonality

 Differences in Understanding
    as Reflected by Language

 The Beginnings of Musical History

 The “New Sound” Composers of the 20th Century     and the Range of Intervals

 Advancing to the Transcendental Play
    of Music

 Musical Insight into the Culture of Peoples

 Musical Relationships

 The Musical Path to Self-Knowlegde

 Homophony

 Polyphony

 The Counterpoint

 The Threefold Perfect Form of the Harmony

 Relations in Music

 
 

 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

 

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THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC
P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
PART  IX